Chippendale’s fluent, natural and sophisticated style developed after the promotion of his furniture and interior designs in “The Gentleman and the Cabinetmaker’s Director” in 1754. Chippendale continued to make iconic contributions to the field of interior design until 1790. His furniture came to be manufactured as far afield as Philadelphia in the USA.

Chippendale drew on three key interior design inspirations for this work – namely French, Asian and Goth. In the USA, Chippendale’s work was interpreted as a re-envisionment of the Queen Anne interior design style. His furniture was often heavily ornamentalised on the feet and uppers, with beautiful heritage-inspired scroll tops on taller units. Yellow Birch and Mahogany were often used, undersupport was rarely employed, and the rears of seated furniture were covered with plush fabric or otherwise left as shaped wood, perhaps as tessellated piecework with ornamental sculpting and Asia-inspired cross-strips. To round out his own personal interior design style, Chippendale would also include delightful finials and varnished shellac features.

Enthusiasts and professionals alike were very taken with Chippendale’s work, lauding him as a master London cabinetmaker and a household name of eighteenth-century furniture-focused interior design.

Harewood House is a popular Leeds tourist attraction, located about 4 hours’ drive from Central London. The famous building features a magnificent collection of Chippendale library furniture that was originally ordered during the 1760s. The interior design style reflects Chippendale’s ideals throughout and showcases his focus on both form and function.

Today, London’s interior designers are often called to reconstruct period rooms in traditional mansions or luxury residences. Often Chippendale furniture will play a major role in such interior design concepts. Chippendale-inspired furniture designs such as those of Henrietta Spencer-Churchill may also be ideal for certain settings. However, the fresh lines of many Chippendale pieces also lend themselves to contemporary interior design concepts – many interior designers will use some of the more extravagant Chippendale pieces to offset some of the more frosty and unforgiving modern furniture elements.

Six main lighting tools are considered foundational by established interior design consultancies. These are down-lighters, up-lighters, wall-washers, decorative lighting, colour and control. Many London interior design consultancies will preferentially think of these mostly in terms of mood and results – from daring highlights to soft textures – instead of as hardware and installations.

Down-lighters are often set back into a false ceiling, although some interior design consultancies will prefer to install them on walls. These units will direct light downwards, and can be focused by the design team as necessary, perhaps to illuminate the floor or a favourite contoured bookcase. Most interior design consultancies recognise that this type of light is very sharp and will generate somewhat intense shadows, which can be a refreshing contrast to the occasionally dreary London weather. The most popular units are always available in narrow beam designs, which are best for highlighting certain features. Interior design consultancies will sometimes opt for a wide beam model instead. One nice technique that I have seen used in a few London residences is to create an array of shimmering ceiling lights with wide-beam downlighters. This is appropriate when the interior design consultancy wishes to create a more general, ambient light, but with a fabulous designer feel.

Up-lighters wash the ceiling with light, and the ceiling then serves as its own lighting fixture, bouncing relaxing and general illumination back into the living area. Interior design consultancies will use up-lighters to create an engaging feeling of openness and upward motion when the ceiling is painted a dark colour, in which case the reflected lumens will be low. Up-lighters in London are often either free standing or wall-mounted, usually above head-height to eliminate dazzle. One great technique that I once saw used by a well-known London interior design consultancy was to incorporate a fabulous up-lighter that was recessed into the floor as a central feature, creating drama and powerful contrast for a cove and elongated column.

In the next article in this series “DeLIGHTed by Design,” I will continue explaining how interior design consultancies rely on the six core lighting tools.